Announcing The Dark Image System For Lightroom
Announcing The Dark Image System for Lightroom
What would you say if I told you there may be a better way to edit with Lightroom?
For a long time, I’ve approached my RAW photo editing by trying to produce a good-quality starting image. This means removing problems like deep shadows and poor exposure. I’ve then used that image as a starting point to hop into Photoshop or Affinity Photo for further editing. I’ve now changed this approach for some of my images, and it’s allowing me to inject drama and mood.
Dark Image System Examples
Here’s a good example, shot in a woodland area of the Peak District called Wyming Brook.
This type of image is perfect for applying the Dark Image System. Had I processed the original image, which you can see on the left with my old approach, I wouldn’t have been able to create the mood and atmosphere in the image on the right. This was all done using a few controls in Adobe Lightroom. I only used the Linear and Radial Gradients and the Brush Tool for making selective adjustments.
I then took the image into Photoshop to apply finishing effects, producing the following shot.
I’m sure you will agree this is a substantial improvement on the original.
Having achieved a good initial result, I wondered if this was a fluke, so I tried other images. Here’s another example, this time from the Hall of Mosses trail in the Hoe Rainforest, USA.
This was an interesting test as I had tried to process the image on the left many times. Each time, I failed to reproduce the mood of the forest I had experienced at the time. This time, I created the image on the right following my Dark Image System. I could have taken this further, but I decided to jump into Photoshop to complete my Dodging & Burning. Here’s the result.
After this, I knew I was onto something, but I still needed to develop this into a system that could be widely applied.
Developing the Dark Image System
At this point, most of my processing was of woodland images. When you find something that works well with one photo, it tends to work well with other similar photos. I now decided to try the system with a different type of image.
On the left is the original RAW file, while on the right is the image following editing in Lightroom. As before, this doesn’t use any complicated tools. The only selection tools are the Radial and Linear Gradients and the Brush Tools. And here’s the image following the finishing touches in Photoshop.
Since then, I’ve tried the Dark Image System with many images. It hasn’t worked with all of them, but for many, it’s completely transformed my results.
Would You Like to Learn This System?
Using what I’ve learned, I have decided to develop a video course and eBook for the Dark Image System. I don’t know the timescales, but If you would like to stay informed of developments, let me know using the form below.
Everyone registering an early interest will receive a launch discount.
I will also run an early live training session to teach the Dark Image System to a small group of photographers (max 10). This will take place before the video and book are launched. Attendees will receive a recording together with the course and book when available.
The only way to register your interest in attending the live session is by using the form below.