How to Adjust Levels in Photoshop
In this tutorial, I’m going to explain how to adjust levels in Photoshop, but you can apply this to many other editing tools. In fact, when you watch the video, you’ll find it also demonstrates the Levels adjustment in Capture One and Affinity Photo. That’s because the Levels adjustment is a common tool shared by many photo editors.
Once you learn how to Adjust Levels in Photoshop, you can transfer that knowledge to other editing software.
Affinity Photo Trial Software
If you don’t have the latest version of Affinity Photo you can download a trial from the Affinity Photo website.
Understanding Image Tones
Before you can understand how to adjust Levels in Photoshop, you first need to understand image tones in relation to photo editing. The tones in an image as we use them ignore colour. Instead they consider how light or dark areas (or individual pixels) are.
To represent this brightness, Photoshop uses a system of numbers. In Photoshop, the tones in an image can range from a value of 0 to a value of 255. When an image tone has a value of 0 it’s black and when it has a value of 255 it’s white. Tones with values between these two extremes are grey. The higher the value, the lighter the grey and vice versa.
An alternative system used by some photo editors like Affinity Photo is the percentage of white in the tone. When an image tone is 0% it’s black because there’s zero white present. But a value of 100% is pure white. Again, any values between 0% and 100% produce grey.
You can see the two systems in the illustration below.
The Photoshop Levels Dialog
Now that you understand image tones, let’s look at how to use this in Photoshop when making a Levels adjustment. You can see the Photoshop Levels adjustment in the following screenshot showing the Properties window. Depending on the version of Photoshop you’re using, this may look slightly different.
In the Photoshop Levels dialog, you can see a histogram showing the tones in the image.
The histogram shows the distribution of tones across the image from black on the left to white on the right. Just below the histogram, you can see three-pointers and just below this a box with numbers. These are the Photoshop Input Levels which we can use to adjust the image tones.
Reading the Photoshop Levels
The Photoshop level on the left which has the number 0 below it is the Black Level. On the opposite side of the scale, we have the White Level with a value of 255. You’ll recognise these values from image tones we covered above.
In the centre we have the Photoshop Midtone Level, which has a value of 1 below it. This represents the brightness of midtone grey and uses a slightly different numbering system.
If you look to the left side of the histogram in the Levels dialog, you’ll notice go all the way all the way to the left but stops short. There’s a gap between the Black Level and the start of the histogram. This tells us that there currently isn’t a black tone in the image; the darkest tone is dark grey.
If you look over to the right side of the histogram, the same is true. The histogram doesn’t extend to meet the White Level. This tells us that there aren’t currently any white tones in the image. Instead, we have light grey
How to Adjust the Levels in Photoshop
Because the image doesn’t have any black or white, only shaded of grey, it will lack contrast. It’s said to appear flat. This may, of course be ideal for some images, for example, a photo of a foggy scene would be low contrast. But if you decide you need to correct the contrast you can apply a levels adjustment in Photoshop.
Step 1 – Add a New Levels Adjustment Layer
To Adjust the levels in Photoshop, you should first add a Levels Adjustment Layer. You can do this by selecting “Layer | New Adjustment Layer | Levels…” from the Photoshop menu. The reason we apply the Levels adjustment as a new layer rather than directly to the image is that it’s non-destructive.
Step 2 – Adjust the Black Input Level
With the new Levels Layer added to the image you can see the Levels dialog. We’ll now adjust the Black and White Input Levels.
Start by dragging the Black level right, to move it towards the centre. As you move the Black Level you will see the image become slightly darker. You want it to just meet the left side of the histogram but without cutting into it. If you cut into the histogram it causes something called clipping. This is when the dark image tones turn black and it can damage shadow detail in the image.
Step 3 – Adjust the White Input Level
You now need to repeat step 2 but using the White Level. Click and drag the white level to the left until it just meets the right side of the histogram. As you do this you will notice the image becomes brighter and the contrast increases. Again, try to avoid cutting into the histogram as it causes highlight clipping.
If you look closely at the screenshot, you’ll see that the black level has a value of 8 below it.
Reading the Input Level Numbers
This tells us a few things:
- Previously, the darkest image tone had a value of 8 rather than 0 which is black.
- Moving the Black Level has changed all the tones in the image with a value of 8 to have a value of 0.
- Moving the Black Level also made all the other tones in the image darker, so they all have lower numbers if you measured them.
We see a similar thing if we look at the White Input Level:
- The White Level now has a value of 239. This tells us that previously the lightest image tone was 239 or light grey.
- By moving the White Level left we’ve remapped the lightest image tone to have a value of 255, or white.
- Photoshop then redistributes the other tones in the image across the tonal range making the image slightly lighter.
Previously the image had a tonal range of 8 to 239. By changing the Input Levels in Photoshop, the new tonal range is 0 to 255. This adds contrast to the image to prevent it from looking flat.
Adjusting the Photoshop Output Levels
If you look at the Levels dialog, you will notice a second strip with sliders along the bottom of the dialog. As with the Input Levels that we’ve been adjusting, this strip has a Black Level on the left and a White Level on the Right. Below this, you will see the words “Output Levels” followed by two numbers.
The Black and White Output levels allow you to control the Tones but in the reverse way to the Input Levels. Where we use the Input Levels to make dark tones darker, we can use the Output Levels to make them lighter.
If you look at the Black Output Level on the left it has a default value of 0. This is what the first number box represents. If you move the Black Output Level to the right, you’ll see this number increase. As you do this, you’ll also see the image become lighter.
What’s happening is that the Black Output Level controls how dark the darkest tone in the image can be. When it’s set to 0 it’s saying the darkest tone can be black. If you move it to the right to say 30, Photoshop restricts the darkest image tone to be 30, or dark grey.
The White Output Level does the same thing except that it limits how bright the lightest image tone can be. The default level is 255 or white, but if you move it to the left it restricts the brightest tone to be grey.
What’s Really Happening in the Photoshop Levels Adjustment
What’s really happening is that the Black and White Input Levels are mapping the dark and light image tones to the Black and White Output Levels. The Output levels just happened to be 0 and 255 when we adjusted the Input Levels.
If you’re new to using the Photoshop Levels adjustment, this can be a little confusing. Do persevere though because it’s worth the effort. To help understand what’s happening, I’ve produced the following video covering Photoshop and a couple of other photo editors.
The Levels Adjustment Video
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The Photoshop Midtone Level
We’ve now covered the Input and Output levels. If you’ve followed along by editing an image you should understand how to adjust Levels in Photoshop. But there is one level, the Midtone Input Level, that we haven’t covered.
The Midtone Input Level controls the distribution of tones in the image. When you move the Midtone level to the right, a greater proportion of the image tones appear to the left of the Level. This causes the image to become darker.
If you move the Midtone Level to the left, a greater proportion of the image tones appear to the right of the level. This causes the image to become lighter.
There’s nothing more complicated about the Midtone Level than this. Use it to make the image lighter or darker, but only after you’ve set the Input and Output Levels.
If you’ve been confused by how to adjust Levels in Photoshop, this article should have cleared up a few things.
Start with the Black and White Output Levels. These set the darkest and lightest tones in the image. Most of the time you will want these to be black and white, but not always.
Next set the Black and White Input Levels. Use the histogram in the Photoshop Levels dialog to guide you but also consider the image. If you add lots of contrast to a foggy image it will look wrong.
Finally, set the Midtone Input level to control how light or dark the overall image appears.
Follow these guidelines and you should get good results when adjusting Levels in Photoshop.
You can also use Levels to apply creative colour grading techniques as explained in this tutorial using Affinity Photo.
This tutorial is one in a series of video tutorials explaining tools that you will find in different photo editors. If you would like this tutorial, you might also like the next in the series that explains how the curves tool works.
More Photoshop Tutorials
You’ll find more high quality, free tutorials on my Adobe Photoshop Tutorials page.
More Affinity Photo Tutorials
You’ll find more high quality, free tutorials on my Affinity Photo Tutorials page.
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